News
Jo Higgins
Published outcomes - National Gallery of ...
Published outcomes - National Gallery of Australia: Digital Young Writers Mentorship
Writings
Jo Higgins
ABC Arts: 'Air' at QAGOMA
ABC Arts: 'Air' at QAGOMA
Writings
Jo Higgins
ABC Arts: Megan Cope is building a living, ...
ABC Arts: Megan Cope is building a living, breathing artwork on Minjerribah
Writings, Events
Jo Higgins
Exhibition essay: Topographies of painting - ...
Exhibition essay: Topographies of painting - Gregory Hodge, Sullivan + Strumpf
Writings
Jo Higgins
ABC Arts: Richard Bell at documenta fifteen
ABC Arts: Richard Bell at documenta fifteen

SAMAG

SAMAG Talk - Bringing it home: Innovation & Ideas from the Churchill Fellowship

I’ve been invited by the Sydney Arts Management Advisory Group (SAMAG) to join a panel discussion next week, with my fellow Fellows, Morwenna Collett and Patricia Adjei to reflect on our experiences and learnings undertaking Churchill Fellowships. I can’t believe it’s been 12 months now since I got back and so much has happened in that time - it’s going to be interesting to see how all of our findings and recommendations necessarily recalibrate in response. I’m just so grateful I had the opportunity to go last year…

Tickets are available via the link but the whole discussion should be posted to the website soon after.

Monday 13 June 2020

6.30 - 7.30pm

Zoom

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Upcoming SAMAG Panel - Youth arts: why we should care what young people think

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Strikers! Youth leading change change panel, Conversation Starters 2019: Temperature Rising, MCA Australia, 2 June 2019. Photo: Jodie Barker, Image courtesy: MCA Australia

Since getting back from my Churchill Fellowship, I’ve been working with the Sydney Arts Management Advisory Group (SAMAG) to co-produce the upcoming panel conversation Youth Arts: why we should care what young people think.

I’m going to be sharing some of my Churchill findings, as well as insights from the MCA GENEXT impact report before a panel of brilliant young people offer their insights and experiences working with six different Sydney arts organisations across the theatre, visual arts, music and heritage sectors.

Wednesday 11 September at MCA

5pm - MCA Young Guides tour of Shaun Gladwell: Pacific Undertow

6pm - Panel conversation with Q&A to follow

Tickets available here.

This quick style insight conversation will focus on the developing role and growth of youth committees and young people’s advisory groups within our arts and cultural organisations. What kinds of expertise do young people bring – as creative producers or advisors? What is their impact and how is the practice of our arts organisations responding to their contribution? How are young people being reached, communicated with and included in the arts beyond being sought as audience members? What does the arts sector look like to newcomers and what are some of the barriers to their involvement?

Join us if you can for a MCA Young Guide-led tour of Shaun Gladwell: Pacific Undertow at 5pm, and then hear from a panel of young people and youth arts workers about their experiences and advice on where organisations should start if they haven’t already.

Panel:
MCA Australia
• Lucy Achhorner (MCA Youth Committee and Young Guide)
• Em Lienert (MCA Youth Committee and Young Guide)

Australian Theatre for Young People
• Emily Buxton
• Daisy Millpark

Casula Powerhouse Art Centre
• Madelaine De Leon (CPAC Youth)
• Stephanie Nguy (Casula Powerhouse Arts Centre Youth)

Shopfront Arts Co-Op
• Carlee Heise (Young Leader)
• Daniel Potter (Executive Director/CEO, Shopfront Arts Co-Op)

Information Cultural Exchange
• Liliana Occhiuto (New Age Noise Collective)
• Jessica Paraha (New Age Noise Collective)

Sydney Living Museums
• Hayden Walsh (Producer of Indigenous Programs)

Presenter & Co-Producer
Jo Higgins (Young Creatives Coordinator, Museum of Contemporary Art Australia, 2018 Churchill Fellow)

Moderator
Sophie Harrington, SAMAG Committee Member and Public Program Manager, Museum of Applied Arts & Sciences

This seminar is a partnership between SAMAG and the Museum of Contemporary Art Australia.

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I acknowledge the Gadigal and Bidjigal peoples of the Eora nation, the traditional owners of the unceded land on which I live and work and I pay my respects to their Elders, past, present and emerging.