News
Jo Higgins
Published outcomes - National Gallery of ...
Published outcomes - National Gallery of Australia: Digital Young Writers Mentorship
Writings
Jo Higgins
ABC Arts: 'Air' at QAGOMA
ABC Arts: 'Air' at QAGOMA
Writings
Jo Higgins
ABC Arts: Megan Cope is building a living, ...
ABC Arts: Megan Cope is building a living, breathing artwork on Minjerribah
Writings, Events
Jo Higgins
Exhibition essay: Topographies of painting - ...
Exhibition essay: Topographies of painting - Gregory Hodge, Sullivan + Strumpf
Writings
Jo Higgins
ABC Arts: Richard Bell at documenta fifteen
ABC Arts: Richard Bell at documenta fifteen

News

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Publication day! Museum Teen Program How-To Kit

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IT’S HERE!

The Museum Teen Program How-To-Kit by the Walker Art Center has been published, which includes my essay “Heartbreakers and Troublemakers: How to Navigate, Embrace & Ultimately Survive Disruption.”

This has been such a long-time coming but I’m so proud to be part of the publication and to have had the opportunity to learn from such extraordinary humans and educators as Nisa Mackie and Simona Zappas. 

A full, free PDF of the book will be available later in the year.

You can read more about the book here.

OTHER POSTS

Published outcomes - National Gallery of Australia: Digital Young Writers Mentorship

I’m looking forward to sharing some reflections and learnings from this project in the coming months. But in the meantime - some publication highlights from the program’s mentees:

ASSEMBLY: An annotation

Hen Vaughan responds to the themes of translation and collectivity in Angelica Mesiti’s three-channel video installation, ASSEMBLY.

Is social media affecting how we engage with art?

Aisyah Aaqil Sumito interviews artist Dan Bourke about the impact of Web 2.0 on our cognitive reading of art, pointing to children learning in a new exhibition.

This interview was published by ArtsHub, the publishing partner of the Digital Young Writers Mentorship Program.

Contemporary Resonances of Art in the Age of AIDS

Aisyah Aaqil Sumito reflects on the contemporary resonances of the trailblazing 1994 exhibition, ‘Don’t Leave Me This Way: Art in the Age of AIDS.’

A Modern Approach to Exhibiting Costume

Michelle Guo explores the challenges that curators encounter when exhibiting costume, and the unique way that they have gone about acquiring Justene Williams’ costumes for ‘Victory Over the Sun’.

Kara Walker’s Monument

Jade Irvine reflects on African American artist Kara Walker’s use of scale - from intimate to monumental - and her consideration of the histories that are memorialised and those that remain obscured.

REVIEW: Deborah Prior - On The Third Day

Hen Vaughan review's Deborah Prior’s powerful new textile exhibition at JamFactory Seppeltsfield, On The Third Day, for the Digital Young Writers Mentorship Program’s publishing partner, ArtsHub.

REVIEW: HOME | LAND

Jade Irvine reviews the group exhibition, HOME | LAND, at Hobart’s Contemporary Art Tasmania for ArtsHub, the publishing partner of the Digital Young Writers Mentorship Program.

OTHER POSTS

National Gallery of Australia: Digital Young Writers Mentorship

I am incredibly excited to be working with the National Gallery of Australia this year to pilot a Digital Young Writers Mentorship Program.

This program will pair five, young, aspiring arts writers from across the country with mentors including Jane O’Sullivan, Nur Shkembi, Andy Butler, Tian Zhang and Tristen Harwood for a series of masterclasses, industry insight sessions and paid writing briefs, alongside their 1:1 mentoring.

In consultation with the Gallery, the mentorship program has been designed to address identified challenges facing young people looking to enter the sector, including a lack of paid professional development opportunities; the need for supported communities of like-minded creatives; as well as platforms for their voices to be heard in dialogue with major institutions. 

Applications have opened and you can read more about the project on ArtsHub here.

OTHER POSTS

I acknowledge the Gadigal and Bidjigal peoples of the Eora nation, the traditional owners of the unceded land on which I live and work and I pay my respects to their Elders, past, present and emerging.