“Jo Higgins’ impressive creativity, interpersonal, organisational and writing skills are eclipsed only by her tremendous passion and talent for engaging young people.”
— John Kaldor, Director, Kaldor Public Art Projects
 

INSTAGRAM: @ARTWRITER ETC

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View fullsize Just some of the chaos from my camera roll.... 📷📷📷Still processing the dense joy that is APT11 @qagoma. What a privilege to get to spend two days wandering (WONDER-ing...) through the gallery spaces leaning into the details, sitting and contemplat
View fullsize My feature for @artguideau's Jan/Feb issue is now online 💫 Very grateful to @nehakale for the opportunity to write this and to @tianzhanggg @clairehealyandseancordeiro @fakinandkeggs @sarahpoulgrain for being so generous and thoughtful in all our c
View fullsize Bankstown weekend outings. Incredible 'Stories from Here' walking tour with Safa and Nicole from @outloudarts, programmed as part of @sydney_festival, and a few highlights from the Bankstown Biennale @bankstownartscentre. Not pictured: delicious, del
View fullsize The latest issue of @artlink_magazine is out today. Guest edited by @avalacoon @claireosbornli & @flaneuxe, Hyphen is such a vital, thoughtful, exhilarating read and I'm so grateful to @una_rey and @belhow for all their support of the @nationalga
View fullsize Mehwish Iqbal's Submergence @fairfieldcitymuseumgallery The delicacy of these extraordinarily beautiful works belies the weight they carry geopolitically, familialy, geographically, materially... Layer upon layer of poetic storytelling. Just mesmer
View fullsize Snatches of 36 hours in Canberra... #joanross @portraitau (🙌💥💫💪 @_budju_ ) | @ellarosebarclay @niccihaynes @canberracontemporary | #bertflugelman #traceyemin @kithandkin_2024 #jamesturrell
View fullsize Last day at @biennalesydney today. "A couple of weeks' work" (lol @charlottegeorgia) has been eight months back in Tallowalladah (with this actual view no less...) Working with such excellent humans has been a joy and made navigating so mu
View fullsize Yes for listening. Yes for care. Yes for action. Yes for accountability. Yes for reconciliation. Yes for acknowledging history and culture and Country. Yes for solidarity. Yes for unity. Yes for facts. Yes, please.
View fullsize Megan Cope, Whispers, Sydney Opera House. This sculptural acknowledgement of Country is the most poetic, steadfast, overwhelmingly beautiful, quietly political testament to the enduring contribution of First Nations communities, artists & cultu
 

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I acknowledge the Gadigal and Bidjigal peoples of the Eora nation, the traditional owners of the unceded land on which I live and work and I pay my respects to their Elders, past and present.